The Half of It (2020)

Released: 2020-05-01 Recommended age: 13+ IMDb 6.9
The Half of It

Movie details

  • Genres: Comedy, Romance, Drama
  • Director: Alice Wu
  • Main cast: Leah Lewis, Daniel Diemer, Alexxis Lemire, Enrique Murciano, Wolfgang Novogratz
  • Country / region: United States of America
  • Original language: en
  • Premiere: 2020-05-01

Story overview

The Half of It is a 2020 coming-of-age romantic comedy-drama about a shy, academically gifted student who helps a popular jock write love letters to win over a girl they both secretly admire. As their friendship deepens through this unconventional arrangement, all three characters navigate complex feelings of identity, friendship, and unexpected connections in their small town. The film explores themes of self-discovery, first love, and the courage to be true to oneself.

Parent Guide

A thoughtful coming-of-age story about identity and connection that handles mature themes with sensitivity.

Content breakdown

Violence & peril
None

No physical violence or perilous situations.

Scary / disturbing
None

No frightening or disturbing imagery.

Language
Mild

Occasional mild language typical of teen conversations.

Sexual content & nudity
Mild

Discussion of romantic feelings and attraction without explicit content.

Substance use
None

No depiction of substance use.

Emotional intensity
Moderate

Characters experience emotional confusion and vulnerability around identity and relationships.

Parent tips

This PG-13 rated film deals with themes of sexual identity, unrequited love, and teenage self-discovery in a thoughtful manner. Parents should be prepared to discuss how the characters navigate confusing emotions and societal expectations. The film presents these topics with sensitivity and humor, making it suitable for mature middle schoolers and teenagers with parental guidance.

Parent chat guide

After watching, focus conversations on the film's themes of friendship, honesty, and self-acceptance. Discuss how the characters show courage in being vulnerable about their feelings. You might explore how the movie portrays different types of love and connection beyond traditional romantic relationships.

Parent follow-up questions

  • What was your favorite part of the movie?
  • How did the friends help each other?
  • What makes someone a good friend?
  • Why do you think the characters kept secrets from each other?
  • How did writing letters help the characters express their feelings?
  • What did you learn about being honest with friends?
  • How did the movie show that people can have complicated feelings?
  • What did the characters learn about being true to themselves?
  • How did the friendships in the movie change as the characters grew?
  • How does the film challenge traditional ideas about romance and attraction?
  • What does the movie suggest about the relationship between honesty and friendship?
  • How do the characters navigate societal expectations versus their personal identities?
⚠️ Deep Film Analysis (Contains Spoilers) · Click to Expand
A queer Cyrano de Bergerac where everyone's love letters are to their own incomplete selves.

🎭 Story Kernel

At its core, 'The Half of It' is less about romantic love and more about the profound loneliness of being unseen. Ellie Chu, Paul Munsky, and Aster Flores are all trapped by expectations—Ellie by her immigrant family's financial struggles and intellectual isolation, Paul by his small-town jock persona, and Aster by her engagement to a vapid boyfriend and religious family. Their triangular correspondence becomes a collective act of self-discovery, where writing for someone else allows them to articulate their own suppressed desires and identities. The film argues that we often find ourselves by helping others articulate what they cannot say, and that the most authentic connections are forged not in perfect alignment, but in the mutual recognition of each other's fragmented humanity.

🎬 Visual Aesthetics

Director Alice Wu employs a muted, often damp visual palette of greys, blues, and greens, mirroring the soggy, isolating atmosphere of Squahamish. The framing consistently places characters behind barriers—windows, fences, locker doors—visually emphasizing their emotional imprisonment. The camera lingers on quiet, intimate moments: Ellie's focused handwriting, the steam of a shared pot of pho, the reflective surface of a lake. These are contrasted with the harsh, fluorescent lights of the school or the diner, highlighting the disparity between inner life and public performance. The film's most symbolic sequence is the final train departure, shot through a rain-streaked window, representing both painful separation and the beginning of a journey toward a more authentic existence.

🔍 Details & Easter Eggs

1
The recurring motif of 'the other half' is visually foreshadowed in the split-screen texting sequences and the composition of shots where characters are literally divided by door frames or windows, long before the theme is explicitly stated.
2
Ellie's father is always shown watching classic black-and-white films about profound, often impossible love (like 'The Heiress'), subtly commenting on the nature of the romance Ellie is orchestrating and his own silent understanding of her journey.
3
The lake where Ellie and Aster have their pivotal conversation is named 'Lake Squahamish,' but it's actually filmed at a reservoir in upstate New York, creating a geographically 'false' but emotionally true central space for confession and clarity.

💡 Behind the Scenes

Leah Lewis (Ellie Chu) is not a newcomer; she voiced the lead in 'The Good Witch' animated series and had roles in 'Station 19,' but this was her breakthrough film role. The fictional town of Squahamish was filmed primarily in and around the very real small towns of upstate New York, like Tannersville and Catskill, chosen for their authentically weathered, non-picturesque quality. Director Alice Wu has noted that the script was partly inspired by her own experiences growing up as a closeted Asian-American, and she fought to keep the ending ambiguous and bittersweet, resisting studio pressure for a more conventional romantic resolution.

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